Emily Coulson

We are proud to feature another creative today from North Norfolk, where the Orange Peel is based!

Keep reading to find out more about Emily, her artwork+ Lino Printing!

Q1: What is your Name, Age, and Where are you based?

A: My name is Emily Coulson, I’m 21 and currently living in North Norfolk, (while searching for a house in central Norwich).

Q2: How did you first get into your creative practice/ work?

A: I started carving Lino Prints towards the end of my A-levels in 2017, then forgot about Lino printing for much of my first year of Uni. I started again during the summer between 1st and 2nd year of university after I realised I had been working mostly digitally during 1st year, and this was just not fun to me. Lino printing was something that allowed me to enjoy the process as well as the result. This has become really central to any work I produce – there has to be some hand-made element of unpredictability o surprise to the result, which there almost always is with Lino.

Q3: Are there any main or overarching themes you explore in your work?

A: Increasingly my work explores+practices sustainability (:the ability to be maintained at a certain rate or level. And avoidance of the depletion of natural resources in order to maintain an ecological balance.) I have a recycling bin in my studio that isn’t really even a recycling bin as I dip in to it for materials to collage with. Or I use my misprints/ notes etc and then shred them to create packaging filler. I’ve recently been trying to make new paper out of the old scraps too. It has become a fun challenge for me to create work from the old, because I don’t see simply throwing anything out as an option anymore. As for the work I actually create, I almost always look to the past for the imagery I like to produce. Objects that are made with good craftmanship, a story behind them, things that are one-offs, unique. I prefer to look to the past, before the era of plastic mass production!

Q4: How has the COVID- 19 Pandemic affected your work?

A: Prior to Covid-19, I was working 5 days a week in a restaurant, then squeezing in making things either in the early hours of the morning or the other 2 days a week. Since lockdown started though I do feel like I’ve had the most productive 3 months of my life… I’ve been able to focus on my practice, how I want to create work, without any other disruptions whatsoever. It’s kind of been like having a years’ worth of personal creative growth crammed into 3 months!

Q5: Highlight one of your biggest inspirations!

A: One of my favourite artists/ printmakers is Eric Ravilious. His way of creating ‘pure pattern’ within his watercolour paintings is something that I completely adore. Ravilious had this ability to include so much pattern within one work, but make it so that the whole piece is still beautifully balanced. The same goes for his woodblock engravings, so many shapes and patterns within one piece but the compositions are so well thought out that it works wonderfully. 

Q6: Where can you see yourself in 5 years’ time?

A: I’d ideally like to be a freelance Illustrator, without a part time job by then! I’d hope to have really consolidated the way I want to work, and then be in a place to manage creating both work for myself to sell, and creating work for clients. I would really like to do something to help others like myself, starting a career in the creative industry. Teaching Lino print classes maybe? Or mentoring a local creative? I don’t know, but it’s definitely something I’d like to be doing by 5 years into the future, so I can give something back to the creative community. 

Q7: If you could share a message with the world, what would it be?

A: Right now I’d say… Please do your research before you buy things – everything and anything! No fast fashion! Re-use and recycle! Buy second hand! OR buy it independent! Spend that little bit more money to make a small business grow AND get something that will actually last you a lifetime and means something!

Art work by Emily Coulson
Art work by Emily Coulson
Art work by Emily Coulson

Everyone knows the drill by now…To find more of Emilys work and support her you can go to he Instagram! Where you will also be able to find her Etsy store!

-SEE YOU AGAIN SOON-

James Lissimore

Today on the Orange Peel, we are featuring yet another talented Photogrpher, James Lissimore! Continue reading to discover more about his alternative subculture imagery…

Q1: What is your Name, Age, and Where are you based?

My name is James Lissimore, I’m twenty years old and work between Brighton and Colchester, Essex

Q2: How did you first get into your creative practice/ work?

Funnily enough I originally only took photography in college because I had to select four subjects and photography was one that took my interest more! Starting out working on abandoned buildings and creating source images for my oil paintings but as I matured I began to find interests elsewhere. mainly street photography and portraits.

Q3: Are there any main or overarching themes you explore in your work?

My most popular work has been exploring the themes and ideas around subculture, titled ‘Revival’ Looking more specifically at Skinhead and Punk culture. As many people know skinhead culture is a very complex one; with the origins being a coming together of cultures. Where music (reggae and ska), dressing “properly” and being apart of a bigger collective of poeple, it developed into the football terraces and the coming together with punk culture lead to the creation of Oi! music. This development meant taller boots, harsher cropped hair and more experimental dress styles. I personally love both of these parts of the culture, but some identify with one or the other.

There has since been complications with the stealing of the culture by those who don’t hold the true values of what a skinhead really is, leading to the stigma to us all being nazi, racist thugs!

I aim to create work that educates the general public to what we really represent.

Q4: How has the COVID- 19 Pandemic affected your work?

With the lockdown it has completely shut down all operations; having no opportunities to travel the country to find potential subjects for my work. I’ve tried to create work on my own but there are only so many photos that you can take of yourself in your own home. I’m intensely looking forward to lockdown ending and being able to resume my work.

Q5: Highlight one of your biggest inspirations!

When looking at the history of skinhead culture there is a photographer’s name that comes up very frequently; Gavin Watson. He was just a teenager with a camera who fell into one of the most explosive subcultures in British history. He’d photograph the day to day situations of him and his friends, these photos would see the light of day in his book ‘Skins’ that reaffirmed his name as the definitive skinhead photographer  

Image from ‘Skins’ by Gavin Watson.

Q6: Where can you see yourself in 5 years’ time?

With the current unpredictability of what’s going on it’s really hard to imagine what I’ll be doing in a few months let alone years. But the best case scenario is traveling Europe photographing the many different factions of skinhead culture throughout countries such as France, Belgium, Germany and Italy. Worst case scenario is dying I think…

Q7: If you could share a message with the world, what would it be?

No one is lesser than another; we cannot judge entire groups of people by the actions of some and there needs to be changes from politicians and the rich before there can be real and true justice for those who need it.

To find more of James’ work you can go to his Instagram!

THANKYOU FOR READING- STAY SAFE

Matilda Vidal

Welcome to another Orange Peel Art Collective blog post!!

Today we are in conversation with Photographer Matilda whos work centres around the idea of “Home”! Keep your eye out for more of her work featured on our platform over the summer! ENJOY !

Q1: What is your Name, Age, and Where are you based?

Hi! I’m Matilda, I am 22-year-old and I am a photographer based in Tottenham, London.

Q2: How did you first get into your creative practice/ work?


I’m French/English and have grown up in France. I moved here for my film studies. As I
started university, I got to meet loads of fellow creatives and collaborate with them for
films, music videos and photoshoots.
However, for photography, it started when I was a lot younger, I would always be the one
taking pictures at parties or whilst travelling. It came very naturally to me and has always
been a part of my life, there was no major event or deciding moment that pushed me to
start taking pictures, it just happened, and I went along with it!
I got into 35mm photography in the past 3 years and haven’t gone back to digital since. I
learned a lot from the 35mm “discipline”, not being able to see the result straight away
and being restricted to 36 or 24 exposures. I makes me think before I take the picture
rather than after.
 
Q3: Are there any main or overarching themes you explore in your work?


One overarching theme for me has been the concept of home, familiarity and
domesticity. Of course, I am very privileged to even have a home and some people do
not have a place to call their permanent home. Homelessness is an essential part of the
story that is crucial to portray and talk about as, in a city like London, it implies a lot of
injustice and inequalities. I am planning to do something in collaboration with the
homeless shelter that I have been volunteering at.

Q4: Highlight one of your biggest inspirations!


Christopher Nunn is a photographer I have discovered in the past year that has really
changed my photography. His work Edith (2013), composed pictures taken whilst
clearing Edith’s flat after she passed away, taught me a lot about storytelling in
photography.

Image from Christopher Nunns project Edith.


I also really like the brutal honesty of eastern European contemporary photography in
which the theme of home is often present, either as a sort of nostalgia and longing, or as
a conflicting relationship. As Andy Galdi Vinko puts it talking about her work
HomeSickLand: “I have spent a lot of time abroad, longing for someplace else, like many
of my eastern European contemporaries, believing that my place and happiness lie
somewhere out there”
.
 
Q5: Where can you see yourself in 5 years’ time?


In five years, I would love to make images that make a difference and talk about relevant
social topics. I want activism to be an essential part of my photography practice. I would
love to be working on a research-based projects, to produce relevant and well thought out
series of photographs!

Image by Matilda Vidal
Image by Matilda Vidal
Image by Matilda Vidal
Image by Matilda Vidal
Image by Matilda Vidal

To see more of Matilda’s Work, follow her Instagram!

And keep up-to-date on all the new OP Content by following our World Press Website and Instagram!

Jim Kernott

 
You may already be fimiliar with our next Highlighted Artist Jim Kernott- due to being 1 part of the ‘Lad + Dad’ Duo on popular Netfilx show ‘The Big Flower Fight’ !
However Myself and Daisy (OP co-creator) just know him as ‘Jim’ from UNI!
 
If your’e interested in knowing more about his work which covers a range of subjects like Mental Health, Upcycling + Badgers… then carry on reading the full interview bellow…
 
 
Q1: What is your Name, Age, and Where are you based?
 
A: My name is Jim Kernott, I am 21 years old and I live in Eastbourne. I attend the University of Brighton, studying 3D design and craft.
 
Q2: How did you first get into your creative practice/ work?
 
A: I always liked art at school, I took it as GCSE but lost interest because it was mainly painting and drawing (both of which I suck at). I studied photography A-Level which I loved! which got me onto a foundation art course at college. It was during this course, I found I really enjoyed making! Creating tangible things, from ideas, to designs, to objects! It’s great. From there I began my university life at Brighton!

Q3: Are there any main or overarching themes you explore in your work?

A:One topic I find myself returning to is mental health, in particular, men’s mental health. I enjoy starting a conversation to hopefully raise awareness for something that many people have, but sometimes don’t talk about! Recently I have been working with upcycled things and reclaimed wood which I am enjoying.

 
Q4: How has the COVID- 19 Pandemic affected your work?
 
A: It has been difficult… At UNI we have workshops, specialist tools, top notch equipment, all of which is closed off to us students at the moment, so I thought I couldn’t make. I have learnt that I don’t need all the specialist equipment, I just need a willingness to put in some more hours to create some things. Currently, all I have is time, which can be filled with making! So I have been making some things for friends and family.
 
Q5: Highlight one of your biggest inspirations!
 
A: It changes quite regularly, but currently I really like the work by Olafur Eliasson. I visited his exhibition in the Tate Modern and I loved how experiential the whole thing was, you could really immerse yourself in the creations! I would love to work with him and his team one day!

Q6: Where can you see yourself in 5 years’ time?

A: This question scares me… It’s a big world out there with lots to do and lots to experience! I have found that things pop up out of nowhere, I just need to stay ready for them I guess! Ideally, I will be creating. I’d like to work with an experienced creative person at some point, learn from them maybe like an apprentice (I like to learn new skills). I also really enjoyed being part of the ‘Big Flower Fight’show on Netflix, so maybe something else to do with TV? So overall, I’m not sure, whatever it is I hope to be enjoying it!
 
Q7: If you could share a message with the world, what would it be?
 
A: My one piece of advice, is if an opportunity presents itself, go for it, run with it. It might just be the best thing you will ever do! This is something I need to keep telling myself too!!
 
 
‘Usable Final Creation’ Jim Kernott 2019
Jim+ Dad ” Lad + Dad” Team on Netflix Show The Big flower Fight
‘Upcycled Table’ Jim Kernott 2020

To follow more of Jims work find him on Instagram !

Or watch him and his Dad on ‘The Big Flower Fight’ currently on Netflix !  

-SEE YOU NEXT TIME-

Cassie Waters

This week’s mini Artist Feature is from Zine creator Cassie Waters!

Read the full interview below for more info about her c reative Zine work!…

Q1: What is your Name, Age, and Where are you based?

A: My name is Cassie Waters, I’m 23 and I’m newly based in East London, although I am originally from Suffolk and have spent a few years living in Norfolk.

Q2: How did you first get into your creative practice/ work?

A: I have always been very creative but was put off studying art academically at A-Levels by a particular teacher who was not encouraging of practices that weren’t similar to his own. I quit early on in the year and switched to History. However, by not having an Art A-Level my options to study Art or Animation at university as I had previously considered, were slightly inhibited and I eventually settled on my other love, English Literature. In between then and now I have explored my practice in various ways and have now found my calling in creating zines (a noncommercial often homemade or online publication usually devoted to specialised and often unconventional subject matter). Since the Coronavirus pandemic, I have been obsessively making zines everyday and have amassed a pretty large collection in a short time!

 Q3: Are there any main or overarching themes you explore in your work? 

A: My zines tend to be about my experiences of living with Chronic Fatigue Syndrome, anxiety, depression, agoraphobia and being a working-class woman, but I also make zines about any subjects, from The Simpsons to racism in rural communities.  I like to think that there’s no topic I wouldn’t explore in my zines and I don’t want to be held back by fitting into too strict a theme.

Q4: Highlight one of your biggest inspirations!

 A: One of my greatest inspirations has always been Tracey Emin. I am fascinated by people’s inner lives and her work is so honest and confessional. She conveys love, sadness and inner pain like few other artists can. I also love how she combines the written word within her art, I suppose because that shares a likeness to zines. My favourite piece of Tracey Emin’s is her installation ‘Everyone I’ve Ever Slept With’. Her work inspires me to be honest and embrace my pain and experiences when creating art.

‘Everyone I’ve ever slept with’ by Tracey Emin

Q5: Where can you see yourself in 5 years’ time?

A: In 5 years time I would like to be able to split my work 50/50 between my current full time job in publishing and my art and Zine-making. I love working in publishing and believe enormously in the power of books for change! But I also really enjoy the freedom and creativity that making and selling zines and art allows me. Having the best of both worlds would be amazing!

Zine by Cassie Waters
Zine by Cassie Waters
Zine by Cassie Waters

To see more of Cassies work follow her Instagram !

Or check out her Etsy store… https://www.etsy.com/uk/shop/ThisIsYourLifeZine

THANKYOU FOR READING, SEE YOU AGAIN SOON

James Greenhalgh

Seeing us into the new month of July is a fresh Artist Feature with London based photographer James Greenhalgh!

Keep Reading to find out more about his work based around Identity and Masculinity and creative inspirations…

Q1: What is your Name, Age, and Where are you based?

A: I’m James Greenhalgh, 21 and I’m based in London.

Q2: How did you first get into your creative practice/ work?

A: I first got into photography by total mistake. I had never studied anything creative at school and I thought I was going to be a computer scientist. I had to pick my A-Levels and one of the subjects I selected (Anthropology) was removed from the curriculum because not enough people picked the subject so I was pulled into my head of year’s office to quickly pick another random subject. I selected photography as I thought it might be a cool skill to learn but I thought I was going to focus on my more academic subjects. My teachers then introduced me to artists such as Wolfgang Tillmans and Nan Goldin; suddenly I saw how photography was able to communicate emotions, stories, and people’s experiences in a way that words can’t achieve. From there I started working on how I could use photography to capture my own identity and the people around me.

Q3: Are there any main or overarching themes you explore in your work?

A: My work explores my identity, in particular, how the way men challenge and express their masculinity has changed as we grow up in a generation where identity expression is more fluid and the traditional archetype of ‘Man’ is developing.

Q4: How has the COVID- 19 Pandemic affected your work?

A: COVID-19 has resulted in my graduation show being massively altered, final major university project being rushed to completion, and job prospects being put on hold indefinitely or canceled. I’ve taken this time to look back over my archive and reflect on what I’ve been creating, I’ve done a couple shoots over video call but for the most part, I just can’t wait to get back into the studio and creating work again.

Q5: Highlight one of your biggest inspirations!

A: David Armstrong: I was introduced to David’s work really late in my university degree and I only wish I found his work earlier. His portraits of people he encountered in his life (friends, lovers, and even acquaintances who left an impact on him) are so simplistic but through them, you start to see the life of David come through the images. He was also Nan Goldin’s flatmate for a long time (who’s work really inspired me when I was younger) and it was super interesting to research how they collaborated on different projects as their photographs tell similar stories of identity expression through other people.

Q6: Where can you see yourself in 5 years’ time?

A: In 5 years time, I hope to be working with amazing designers, stylists, artists and models for magazines and fashion campaigns. I’m currently working for other photographers and hope to follow in their footsteps.

Q7: If you could share a message with the world, what would it be?

A: Please listen to your Black friends when they share their experiences of racism, don’t argue, just listen. If you need a place to start your research into racial inequality, read “Why I’m No Longer Talking to White People About Race” by Reni Eddo-Lodge or “White Fragility” by Robin DiAngelo or if you need a short book to get you started, read “Dark Days” by James Baldwin. Black Lives Matter.

To see more of James’ amazing photography work visit his website… james-greenhalgh.com

Or Instagram ! Where there is also a link to his BA Degree show!

Thankyou So Much For Reading, see you again soon…

Francesca Thornton

!!IT’S THE WEEKEND!!

Lets have another Artist Feauture shall we! This week we are in conversation with Music Photographer Francesca, talking about Gigs, artwork, and how the Pandemic is effecting her along with many other creatives!…

Q1: What is your name, age, and where are you based?

A: Francesca, 22 and I’m based in Brighton.

Q2: What is your creative practice/ Artwork?

A: I’m a music, live events and portraiture photographer, but I also pursue illustration on the side as a hobby.

Q3: Are there any main/ overarching themes you explore in your work?

A: I’ve always loved music growing up, and have always attended live gigs. I attended my first festival when I was 6 years old (It was Pop Beach in 2004 and the only memory I have of it is dancing to Girls Aloud – safe to say my taste has progressed since then!) and so from that experience music and live performance has become my main theme to my work; you’ll find me either working in the security pit at a festival, or sneaking my camera into the crowd at a gig. I love capturing the energy at gigs and live events, be it the artists on stage or the crowds attending. I love photographing people because you never run out of stories to tell in that one frame!

Q4: How has the COVID- 19 Pandemic affected your work?

A: COVID has drastically affected my work. My photography depends upon interacting with people in packed venues and live music – which are all canceled currently. What I wouldn’t give to be back at a gig or festival right now taking photos! I’ve also had to leave Brighton and return to my family home in Norfolk, so I no longer have the same connection to a city of vibrant people currently. However, it has led me to explore new avenues of work. I’ve taken to photographing the small, sleepy life of my little village, and it’s challenging in a new way, which I really enjoy. Who knew trying to get a clear, clean-cut photograph of a bee on a flower would be so hard? My photography at home however doesn’t have the same money demand as it did back in Brighton, and so I am missing out in terms of financial gains of my photography work – but it is helping me to boost my portfolio in new areas.

Lockdown has also led me to have more spare time, and I’ve been exploring illustration again. I had set up an online shop a while back and then hadn’t updated it in years. I’ve just now started sprucing it up with my new work, which is quite refreshing. I like being to have another creative avenue to explore when one is so people, high energy focused, and the other dependent upon time, patience and isolation. I guess photography and illustration reflect both my extrovert and introvert qualities – so I guess I could say it has been therapeutic… but I will be jumping at the first chance to photograph a gig!

Q5: Highlight one of your biggest inspiration!

A: In terms of portraiture photography I love Brandon Woelfel – he has such creative ways of capturing people and making his images look like you’ve just stepped into a dream scene.

Outside of photography, my general artistic inspiration is Vincent Van Gogh. Anyone who knows me knows I love Vincent! His work is so vibrant, imaginative, and the way he has converted all his pains and fears into such startlingly vivid works of art is astounding.

Q6: Where can you see yourself in 5 years’ time?

A: There are SO many different places I see myself. Ultimately I’d love to be signed to a band as their personal gig photographer and exploring the world with them on their tour. But then I also enjoy studying the arts, and there is a MA course in Museum Curation & Art History that has really piqued my interest, so I may end up working in a museum. Or I may become an English and Media teacher! I’m really open – as long as I’m doing something creative, I’ll be happy.

Q7: If you could share a message with the world, what would it be?

A: Do what makes you happy, and if it puts a little good into the world, then that is even better. 

Check out more of Francescas work on Instagram @ francesca.thornton

-Or go to her Website – https://www.instagram.com/francesca.thornton/?hl=en

Thanks for Reading!!

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Tilly Edgley

This week’s second post is a mini artist feature- from 19year old Photographer Tilly Edgley!

We couldn’t be more excited about Tilly’s work and to see where her talent takes her in the future!…

 

Q1: What is your Name, Age, and Where are you based?

A:  My name is Tilly Edgley, I’m 19 years old and am based in Stoke Ferry, Norfolk.

Q2: What is your creative practice/ Artwork?

A: I’m currently studying a Level 3 Photography degree!

Q3: Are there any main themes you explore in your work?

A: Prior to photography I studied art and design, and have always been obsessed with Portraiture! From the very beginning, I ruled out anything landscape, still life etc… And knew that I wanted my work to be surrounding people. I have a lot of appreciation for things that have been well put together and the smallest of details have been considered. I think music is a good example of this and I’ve always found inspiration from album art, music videos and lyrics. They make for good prompts.

Q4: Highlight one of your biggest inspirations!

A: I actively address themes that other people tend not to. For example, I love images that make you feel uncomfortable, exposed but also intrigued. I like to pay attention to what people love to see and what they choose to avoid and make something that challenges that. One Artist who I take inspiration from is Tomas Xio Oliveras I love the style of their drawings, and always wondered how they would look as photos.

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Q5: Where can you see yourself in 5 years’ time?

A: In 5 years time I would’ve finished uni, so hopefully I’ll be getting a job! As it stands right now I’d love to create images for magazines, go down a more editorial route. But I’m really open, my motives may change. I may want to create something more meaningful depending what takes my interests and what I feel needs addressing. Overall I just hope I’ll just be happy and enjoying whatever I’ve chosen to do!

If you want to see more of Tillys work and Support her, follow at @ tillytookthese

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Thanks for Reading!!

Sophia Wakeman

Today we are very excited to be publishing our first Artist Feature of summer 2020! !WOOHOO!

Myself and Sophia had a “New Normal” Zoom call meeting to discuss life, art, and the future!…

Q1- What is your Name, Age, and Where are you based?

A:  Its Sophia Wakeman, I’m 19 and I’m based in Cambridgeshire, well just in-between Norfolk and Cambridge.

Q2: What is your creative practice/ work?

A: Digital artwork at the moment, I used to do traditional art but didn’t have the facilities. I use a free version of Procreate for my computer to make the work. Its nothing fancy but works well for me!

Q3: Are there any main themes you explore in your work?

A: Drag Queens! I gravitate towards celebrities and mostly Drag artists for their eccentric looks and makeup, its different than just drawing a regular portrait. I tried landscape but it just fizzled out, then moved more towards portraits. People message me asking if I will do specific portraits of Queens, thats why I drew Crystal Methyd because someone asked me to do her, they helped that person become themselves. 

Q4: How has the COVID-19 Pandemic affected your work?

A: I think I’ve been more motivated, as I have more time on my hands. I don’t have the pressure of completing my college assignments, so I can explore the work that I want to produce.!

Q5: Highlight one of your inspirations!

A: There’s is one person, her name is Francoise Nielly, she creates portraits using just pallet knives and spatulas, not tradition brushes. She’s one of the first artists I ever took inspiration from in secondary school, and I want my work to be bright and colourful like hers! When you scroll past it you can’t help but look.

Q6: Where do you see yourself in 5 years time?

A: Hopefully the goal is to be a self-sufficient full-time artist, selling work that supports myself. Thats the dream! I want to have a year or two focusing on myself and my work and maybe go to University, but that could always change.

Q7: If you could share a message young artists, what would it be?

A: Just- Do your art work for you! Don’t do it to gain an audience or please people, I did that for a while to create a following on Instagram but it doesn’t make you happy. Now I produce work to please myself. I feel like if you enjoy making the art and put yourself into then people notice your passion.

To see more of Sophias work and support her, check out her Instagram– @ wakemanart

And Websitehttps://linktr.ee/WakemanArt

Thanks for Reading!- Elsie.

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Sophia Wakeman- Crystal Methyd Portrait.

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Sophia Wakeman- Violet Chachki Portrait.

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Sophia Wakeman- Gigi Goode Portrait

Sophia Wakeman

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Sophia Wakeman- Tiffany Hunt Portrait.

LGBTQ+ Pride Month 2020!

Although many Pride events, marches+ meetings have been canceled this summer due to the current climate, Pride Month is still in full swing!

Here at the OP we fully support the LGBTQIA+ Community, so wanted to share some of our images from Norfolk Pride month in 2019, including KLWN Pride and Norwich Pride!

-HAPPY PRIDE-

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KLWN Pride 2019- Daisy

KLWN PRIDE 2019
KLWN Pride 2019 -Daisy

KLWN PRIDE 3
KLWN Pride 2019- Daisy

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Norwich Pride 2019- Elsie

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Norwich Pride 2019- Elsie

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Norwich Pride 2019- Elsie